betsy just stood there with her mouth wide open. those two guys where fencing each other up and down the stairway. they took 20 steps, back to back, then they turned around, smoothly from the hip, firing magazines at each other. then 10 steps and then 5, both where still standing. they beat each other to a pulp until the blood came out and then until no blood came out and still none of them hit the ground. betsy did not dare to move, even when the duelists finally went away in opposite directions she still stood there like a curtain rod. she cautiously moved her eyes to the left, cautiously meved her eyes to the right, everything seemed to be safe. then there was this flicker of light in betsys sunglasses. they came back.

outer packaging like a book with a hardcover 321x321 mm glossy coated. inside 2 cardboard printed inner sleeves glued to the inside of the packaging. on the left, the inner sleeve will contain the vinyl. on the right, 4 out of 15 lobby cards (250 gr) will be inserted randomly (like pic of a movie).a16 pages printed booklet will be included and glued inside in the center of the packaging, limited edition numbered

demdike stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the testpressing banner. collision was recorded in late 2012 and is pretty much unlike anything you will have heard from demdike before, an intense high-frequency re-arrangement of jungle and noise, like a more brutal variant of the demdike-affiliated hate project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. misappropriation on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you would most commonly associate with muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

a double ep release from the classic music company, mixing together friends old and new from the label. recent signings to classic, no dial tone deliver their second original production to the imprint - standing still – a deep slow burning almost bjork-esq vocal record kicks off the a side. long time label cohort from the early bar rumba days, mathew herbert twists and turns the record into something completely herbert and ultimately classic in its make up. on the flip…long-time greenskeepers man james curd returns to classic with nothing short of a bump! gentle help is typical curd funk and now with added black madonna flavours. road tested relentlessly at the smart bar, the chicago native channels the essence of old dance mania records and funnels it into something typically a little left of centre. each track is uniquely different and recognisably classic.

get down edits return with volume 4 in the series this time we have fingerman and deadly sins alongside label head honchos gde.

sexy deep remixes from dj jus-ed, boo williams, ron deacon, rick wade

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

adam jay’s “mediastinum ep” is the product of a near death experience turned into an opportunity to create. after experiencing acute trauma to the left lung, the artist was diagnosed with pneumomediastinum, the sounds featured in the production of this record were recorded in the intensive care unit at community east hospital in indianapolis. “inward” is a raw, stripped down stomper filled with anxiety and a pace of purpose. the a2 track, “terrible precision” brings an atmosphere of tension and darkness that drives the ep forward. the synth groove of “chatter” sits atop the recordings of medical monitoring equipment intended to alarm the listener. the unsettling dischord created is contrasted by a powerful low end groove. “concert of the machines” comes with an addictive half time broken beat groove. the warm, effected electric piano work plays off more alert sounds from the hospital room creating a chilled out vibe that is ideal for closing a set. already support from justin berkovi, nigel richards, gayle san, tony rohr, andrei morant, and brian kage.

phat nice price action , last copies left
two infectious and forward moving house tracks by vigo. cool!!

jtc is a phenomenon. one alias of the multi-talented tadd mullinix. one part of a mind that also houses dabrye, sk-1, charles manier, and halves of tnt, 2am/fm and x2. this time round, on park days, he flexes a house side that has not been seen too often in his career of 13 years. whether the driving groove of south brooks, the late night drum machine jam of argo, creals ever evolving scatter, or the delicate gallup, park days is one of those records where everyone has a different favourite. ie - a good one. we are honoured to release this mans music. a man that continually remains out of the spotlight, yet is revered by your favourite producers for at least one of his many aliases. a man that ignores trends, hype, trickery, and just returns every now and again to nudge that bar a little bit higher than he left it last.

culprit continue their winter scouting tour of europe in search of young producers on the brink of creative greatness. for their 32nd ep release, the label makes a stop in barcelona, recruiting the emerging talent of argentian-born nicolas abalos aka shall ocin to join the cause. ocins crash into my love ep is part of an exciting first wave of accomplished music arriving from the artist and expands the labels exploration of deep, just left-of-center modern house music.

if you ask the canadian producer and dj edward currelly aka eddie c to name you some things he havent done yet but always wanted he answers: visit greenland. Êsell 45s off the back of my motorcycle in jamaica. those who know the music of the former countryman that left the canadian nature to get inspired by the lively culture jungle of berlin get a winking smile on their lips.

my bare-skin balearic brethren left stranded in a supermarket with personnel from the arrowhead project and zealots reciting passages from the second epistle of peter and the revelation of st john, i beg you .. do not despair.

since 2009 xxxy, aka rupert taylor, has released a string of 12 inches through labels like infrasonics, well rounded and ten thousand yen that have showed off his idiosyncratic takes on uk garage and bass-driven house. his debut for rinse picks up where they left off, with three tracks of shimmering, synth-led house music, marked out by taylor’s distinctive spiralling melodies and sampled voices.

slamming minimal groovin techhouse

kalimero is back again. their seventh catalogue number is standing in the wings awaiting you as a three track ep, one original & two remixes. melchior bachmann delivers his second release on kalimero together with his producing mate extd. will, a new berlin-based talent and long-term companion of the labels artists. they created *play*, a deep tech-house revelation that is simply catching everything what each of us is referring as to groovy and pressing it into eight minutes of pure emotional dancefloor energy. this is also caused by dennis degenharts great singing work. the remixes are contributed by mario aureo and luis leon. marios remix is keeping the tech-house grooves and keys and transforms them into a marching and pumping peaktime tune. side b is completely left to luis leon, a very talented producer and dj from peru, who did nothing less than turning *play* into an deep house anthem - a journey that has all the time to evolve itself.

soniculture continues its series of underground releases with tracks from famous artists that are on a secret mission. physical format will be on vinyl with black sleeves and no information whatsoever about the artists. we are just disclosing the number of tracks and the running time of each one. after the success of the great kick-off for this series, now we have another amazing release with three tracks from a really reputable artist that has left his mark in the techno scene for many years now.

nice price action
limited stock !! last copies left
ultraphat electronic deep house monstertunes !!! just brilliant

fatty fatty phonographics is a new label out of dublin determined to dispense with lazy loop button editing and get back to the original point - to make great songs work better on the dancefloor ...

last copies left !! be fast
excellent hypnotic groovin monster !! decks tipp !!!

für fans von gas, loscil, simon scott, the sight below, tim hecker. incl download-card, limitiert auf 600 stck smarmoriertes vinyl.

last copies left !!
first 500 copies with a2 poster packaged in a gatefold cover!!!! the thunder from thuringia, genosse from gera, mr. minimal samba, the man that goes by many names is here to present to us his very first lp on none other than his solo action vakant home. about 2 years in the making, studio 10 takes mathias kadens life-long work as dj and producer, world wide tours, twenty something years of listening and thinking, machines and people, wraps a bow around it all, and delivers it with roses dipped in chocolate. always taking his time with production, mathias focus on quality over quality continues to pay dividends no matter the state of the economy. unique in many ways, studio 10 was also unique for the producer himself. never before has mathias incorporated into his music so much hardware, field recordings, messages, and invited friends and orchestral musicians to collaborate

the new album by akiko kiyama, consisting of 2 vinyl records, has become the long-awaited debut for nervmusic records, to at once fully demonstrate the musical philosophy and vector of the label. deviation is not just a random selection of tunes, but a whole theatre act, made of sound patterns and melodies, a fantastic journey into a subspace of inner images and memories.

a shift from monochrome to full colour sleeves signifies the start of a new phase for space cadets. the chambers of apogee ep comes from anonymous debutant lyterian, an exclusive signing to space cadets. masterfully employing the hypnotically dark rhythms of mid-90s jungle and applying them to a contemporary d&b framework ... the real question is just who is lyterian?
original sleeve artwork is once again contributed by us illustrator theo ellsworth. all vinyl pressed to extra heavy 180g acetate.

carrier bags do not break down as well as newspaper or compostable liners. they can clog up machinery used to recycle food, and plastic can be left in the compost that is made, which is no good for farmers fields.

par grindviks sinister label raises its dark and mysterious head for the second release, >sinister 02<. joining par on the release are a collection of artists whos individual styles have earned them well-respected plaudits across electronic music. they share common ground, but keep to their own unique form in this release. pars sinister imprint continues where it left off, pulling in four sombre, yet powerful tracks - something for every stage of the club.

straight comes the next release on mettmann-based experimental label shhhh, catalog number 008 - the long awaited full length album by daniel half from sardinia, italy. it is called >lonely boy< and consists of - heavenly-medium-transparent creamy sky-colored vinyl with 10 brand new tracks - dvd including videos to all tracks - pocket board game >the ghost of the lonely boy< - download-code for the entire album in mp3-format - download comes with an exclusive wardrobe memories remix (digital only). with a limitation of 196 copies this is a very special item and the most epic release on shhhh to date. every record is hand commissioned and full of beautiful details.

this past june the modern deep left quartet boys hunkered down for a month in mathews berlin studio, producing a wealth of content for future consideration.

this ep picks up where those moments left off. windfall and lied are killer non-linear batty disco infused house jams that set dancefloors alight while try the impossible and in public are deeper jams for the more serious moments of club emotion if you can put it that way. a rare future classic club twelve inch for our deejay friends.

early support by laurent garnnier, steve lawler, luciano,maceo plex, italoboyz, mandy , seth troxler, gel abril, brothers vibe, andrew grant julien chaptal, butch and many others. after the good vibrations that left us the past summer course, in which >mr. slade< of leix & hitch was one of the most important tracks of the summer, novo music skips novotek raw series back to the arena with their fourth installment. the responsible of this release is none other than unomas (mia), a newcomer from miami, who designs a complete and suggestive sound universe on this >got to be funky<. an excellent and complete package which certifies the reason of the success of novotek raw series and which, in all likelihood, will be one of the releases to keep in mind in this winter.

heavyweight producer mri met we:two and this ep reveals the first piece from their # 001 series. a side track sams detonator lives up to its name a 100 percent. be careful, because this track will make the dancefloors detonate. with each subsequent play, you notice more and more melodies, beats, instruments.. fresh and modern techno at its richest. killer percussions come midway and build up the sound explosion. you are left with a sense of sweet anxiety and an adrenaline rush. matador on the flip is a killer, peak-time track and its bassline will be sure to induce some serious convulsions on dance-floor as well as the a1 did. last but not least theres track 3 – jack & lumber whos driven by an unstoppable beat. all in all a release on resopal to play and play and play, ah, yeah ... and play

the son of a prominent nicaraguan politician, alfonso noel lovo was a choice target for the sandinista rebels who hijacked his homeward flight from miami in december of 1971, ultimately putting several rounds through the talented musicians torso and hand. after several years, and as many surgeries, he would break new ground on this psychedelic swirl of latin jazz and pan-american funk with his musical partner, percussionist jose chepito areas of santana fame. long unavailable, la gigantona has lived its forty years lost in the grooves of a single acetate. imagine a nicaraguan take on herbie hancocks afro-jazz masterpiece mwandishi with some of the most penetrating, left-field guitar youve never heard.

new years deal - behind the highway, near the industrial area, next to the airport, somewhere in the innercity, urban principles fall apart. that leaves the enclaves, mono functionalism and an urban ultra density that local governments are struggling to eradicate. both a cage and a cocoon, there is a space where development opportunities hit the wall. hybrid places that combines urban collapse and >the new culture<, endemic violence and solidarity, all of which is left to the communities to deal with without outside help. when the post-industrial economy becomes sporadic and nothing else takes shape, man is left at the mercy of his environment. techno appears and becomes a parallel between man and the city, as another faceless entity which unifies them. this unity is the result and techno is the process.

my nu leng join 877 records to present this exciting two track ep released on vinyl and digital. a side, the grid leads the way with an explosive dancefloor anthem that is already receiving serious attention in clubs and on radio. garage organs mix with rolling bass, swirling vocal cuts and boiling percussion all mixed together to form an instantly memorable and timeless floor-filler. hips n thighs (ft. majora) follows where the a side left off, a tough and dark stomper blending classic elements with cutting edge sounds, mysterious vocals and rising melodies.
early dj support from: dj ez, rosca, el-b, addison groove, marcus nasty,hudson mohawke, clek clek boom, goldffinch, tomb crew and many more

die fromme geduld hat sich gelohnt - das >gute leben< ist jetzt. auch wenn die im juli erschienene >waiting for the good life< dank gewohnter qualitaet und einem exorbitanten gastkatalog, die dürreperiode ausgesprochen vergnueglich in kurzweilige vergessenheit geraten ließ, hat die neugierde auf den dritten full lenght player des domstadt produzenten-doppels jr & ph7 damit nur noch mehr floriert!

dailybread series part 2 - deathmachine! from the darkness give us indescribable kicks and snares with the distorted breaks only to be pierced by a killer synthline falling in to make it a complete masterpieces tune. its definitely track that will wake up every dancefloor and wont let people left it. flip it over for genetix, this one committed to pushing heavy and precise dancefloor beats to the next level. limited edition of red vinyl!

as the title suggests the new before the show album depicts beginnings and endings. we believe that life has many different beginnings and endings, and that the various journeys we take from one beginning to one end are filled with detours – and it is these detours which continually shape and define us as the people we are. musically years&years&years picks up where hearts and heads left off, however, it has developed towards a bigger and more complex sound image. it can best be described as a combination of sting and peter gabriel on one hand, and smashing pumpkins and radiohead on the other.

>bored of shit< is the first release from new label k!ssa records. it follows dollskabeats debut >zodiac rising / no breaks no sleep< ep, which grabbed the attention of the music press, radio 1 and 6 music back in 2009. an electronic punk sneer and light-hearted grump at the state of modern popular culture, >bored of shit< is perhaps not what people might have expected as a follow up from dollskabeat but either way, it is a sure fire dance-floor filler. the ep also features an exquisite remix from vakula who described the track as impossible not to dance to and guest bass playing from firecrackers fudge fingas. keep your ears peeled for future dollskabeat release >so long for a small storm< - a mould-breaking piece of electronic music that will pick up where she left off. pressed on 180g vinyl and mastered by matt colton at air studios.

initially focused on its mission to spread left-field dance music from south america, with early appearances of the likes of luciano and pier bucci, the swiss-chilean label is now ready to conquer the whole wide world. under the command of the imprints ever-energetic epicenter dandy jack aka captain deutschland, ruta 5 pepino airways flight n° 5 takes off to a truly compass-defying journey.

from medellin to the uckermark and back again to question mark – here is another comeme travelogue for your badass baedeker. not long ago sano left his colombian hometown to find himself in an old palace in brandenburg, locked inside a dreamlike basement studio for two weeks with another seven from around the world. it has been there, as sano told us, that a blood pact was sealed. and now indeed it is his >chupa< (suck it!) to be the already second record (after alejandro paz - free) to emerge from that magnificent comeme conclave held at a cottage outside of berlin this summer.

support & feedbacks from : theo parrish, rick wade, jus-ed, boo williams, luke hess, benjamin brunn, ron deacon, duijn etc.... lonely happiness is the debut album by damien zala (24 years old, french producer) on his own rowtag label. this album with many influences is a subtile travel between differents deep house inspirations, ideas come from ambient music, soul, funk, jazz but also movies and damien s homeland (south of france). all tracks have been produced with analog hardware, a recorder and a few old vinyls samples.

following the glowing reviews for the recent remixes of dancing inthe dark, layo and bushwacka! are set to release the next single from their forthcoming album rising & falling. the big dream is set to pick up where the audiofly and guy gerber & dj tennis remixes left off, and also features a fantastic remix from desolat co-founder martin buttrich.

record dealer, dj and fountain of musical knowledge - mark seven returns with the eagerly awaited follow up to last years sellout smash >working girl<! parkway is a new label mark has set up to reflect the freedom and energy of the 80s dancefloor, albeit rewired with super 21st century sonics >midnite special< picks up where the first release left off. shot through with shimmering synths, booming bass lines, soaring vocal samples and super crisp rhythm programming, with that unmistakable paul simpson / boyd jarvis nyc proto house vibe. it is a beautifully uplifting selection of dubs, that are much more than the sum of their parts - dancefloor dynamite and we just cant get enough of it!

again it is true. domesticity is none of a comemians foremost virtues. modesty? also not. take alejandro paz: left santiago, went to spain, went to scotland, came to cologne. was a stranger, showed his facets (listen to his ladrones mix on comeme radio) and was heartily embraced.

michael ozone, the character whos just dropped his debut offering for the esp institute this july, is back with a remixed version of his jungle-tuff >perfect systems ep<. on side a, steve summers (a name thats been up in your face over the last year, and one of the key figures in our cousins l.i.e.s. camp) has taken perfect systems for an imperfect ride, jacking it up as expected while keeping the somewhat sinister mood of the original. on the flip, young marco (who has become quite a resident at the esp institute) strips down hetrotopia to its core, letting you realize how a well-programmed track can maintain its melodic and hypnotic sense, even when all thats left is percussion.

gregory isaacs, reggae superstar, has left an unrivaled legacy. report, taken from our gregory isaacs remix album, is yet another testament to that. curtis lynch boosts this bassline driven track to the max, as gregory enquires of his ladys whereabouts the previous evening. marcus visionary once again takes the reigns for the dnb mix.

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

foreign sunrises are always inspiring an artist. festival gigs with amazing music and extraordinary people making you feel the real magic of electronic music. einmusik packed all those things and made a dreamy and mysterious ep called >damgala<. only two tracks coming up, but they are special and wistful - nothing more is left to say about the feelings of an artist traveling all over the world since months. >damgala< itself is a song with unsettling synths, an undulating baseline and rolling drums. the breaks are so strong and suprising and you will never forget this sensuous chorus. >st.anna< is the second number on the ep. it is made by mars leder and einmusik. they meet each other on several parties in berlin. mars, a young and talented dj also plays a lot of instruments and so they made a studio session with different sequences. the guitar is clear and melancholic, the synths are soft and the bass is catching you. close your eyes and feel the song without being prejudiced by some words.